Peter d'Egville And The Forty Thieves

While trying to discover which d'Egvilles were living in Paris in the first years of the nineteenth century I found evidence of a collaboration between Michael Kelly and Peter d'Egville in London during 1806. A simple reference to Songs, duets, trios, chorusses, &c. &c. &c. in the grand operatical romance of the Forty thieves : first performed at the Theatre Royal, Drury Lane, April 8th, 1806 published by C. Lowndes of London possibly provides us with some illumination on Peter's later life.

Michael Kelly
Frontispiece (engraved by Henry Hoppner Meyer (1782?–1847) from a drawing by Abraham Wivell) to Michael Kelly, Reminiscences of Michael Kelly...2 vols (London: Henry Colburn, 1826).

Michael Kelly (1762-1826) was an Irish tenor, composer and theatrical manager. Mozart wrote the roles of Don Basilio and Don Curzio in Le Nozze di Figaro for him. He became principal tenor at the Drury Lane theatre and, in 1793, acting-manager of the King's Theatre Haymarket.

The catalogue information needs to be checked because at this date I would have guessed that any collaboration is more likely to be with James. If the attribution is correct then Peter is in London in 1806 and still active as a choreographer. Fewer than one hundred copies of this work have survived in various libraries throughout the world. I've added it to my "to do" list for my next visit to Oxford.

Madame Dagueville's Last Performances

Medea and Jason [1] Thursday 26 August 1784

Almost all of the theatre advertisements from the eighteenth century omit forenames. Consequently we can't be sure of the identity of the Madame Dagueville  who danced in the role of Medea. In this pantomime there would have been a transformation scene in which the characters of Greek mythology were transformed into the Harlequinade. Mother Shipton is said to have ultimately developed into the pantomime dame.

If the dancing master with his practice in Ipswich is d'Egville senior then he must have married at least twice. Mr Dagueville refers to himself as former principal dancer at the Opera House in some of his local advertising material. His wife died in childbirth on Monday 10 May 1779. We know that d'Egville senior continued to be active in London but this doesn't necessarily mean that the two men aren't one individual. Dagueville of Ipswich had a business partner who could have taken over his pupils when he was in town.

The Essex Chronicle 14 May 1779
The British Library Board

Its implausible that the Madame Dagueville who danced in the role of Medea is Catherine Berry (wife of James Harvey d'Egville) as they didn't marry until 1792. Neither can she have been either of Peter's known daughters. Madame Dagueville disappears from the advertisements in the latter half of the seventeen-nineties.

[1] Willaim Van Lennep, The London Stage, 1660-1800 Part 5, 1776-1800: A Calendar of Plays, Entertainment & Afterpieces Together with Casts, Box-Reciepts and Contemporary Comment (SIU Press, 1970)

Poems On Various Subjects

Among the notes on one of my various defunct laptops was this reference to Peter d'Egville. He appears among the list of subscribers to Poems on Various Subjects by John Taylor Esq. This work was published in two volumes in London in 1827. I haven't been able to move beyond the first poem - but Byron did write to the author on at least one occasion. I can't imagine how I could listen to a reading without gnawing through my own limbs.

Being so late it is difficult to believe that it was Peter d'Agueville/d'Aigueville because at the very least he would be almost ninety years old. However, some people did manage to live to a ripe old age. Having found the reference I will have to go back to the tree in case he's among the fruit. All suggestions and identifications are welcome. There are many references and dedications among the poems to Peter d'Agueville's contemporaries.

It does tell us two things: he had sufficient disposable income to subscribe to the work and he lives at a reasonably good address. There are modern buildings in Percy Street but some of the architecture from Peter's time has survived.



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d'Egvilles of Ipswich

In Tales, Poems and Masonic Papers by Emra Holmes (1877) [1], a commentary on the minutes of the British Union Lodge, Ipswich, records that Peter Dagueville was proposed for initiation on 4 March 1783. The spelling is similar to that used when Peter dAgville signed his name. 

Peter's membership of the British Union Lodge might have only lasted a short time as Holmes says that he has disappeared from the list of members for 1786-87.

In March 1791 Peter announced that he would be leaving Ipswich through an auction advertisement in the Ipswich Journal. Hatton Court still exists, off Tavern Street, leading towards the Churchyard of Saint Mary-le-Tower.

Ipswich Journal 26 March 1791
The British Library Board

However, Peter might not have left Ipswich or if he did so he might have left his progeny behind. In 1809 the marriage of Miss d'Egville of Ipswich to Ensign Deighton of the West Norfolk Militia was announced in the Bury and Norwich Post. Peter is likely to have been too old to be the Peter d'Egville charged with riotous conduct in 1843.

Bury and Norwich Post 26 April 1809
The British Library Board

Interestingly Sophia Hervey d'Egville (Madame Michau) disappears from the English scene in about 1795 to reappear in Paris. We know that there was at least on other d'Egville there in the first decades of the nineteenth century.  


[1] Tales, Poems and Masonic Papers by Emra Holmes (1877)Masonic Papers, Notes on the old minute books of the British Union Lodge, No. 114, Ipswich. A.D., 1762.